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Langston Hughes: Criticism and Reviews

Banks, Kimberly. Lyrical Approaches to Lynching by Hughes, Du Bois, and Toomer" [and W.E.B. Du Bois, Jean Toomer]. On stylistic and symbolic choices in their representations of lynching in the short stories of three male African American writers. 38, 3 (Fall 2004) pp 451-65 [questia sub ser, substantial preview].

 has an article titled

Langston Hughes, a native of Joplin, Missouri, became one ofthe most popular figures of the Harlem Renaissance. His goal wasto write a truly "Negro" poetry without perpetuatingracial stereotypes. Many of his poems appeared in the journals Opportunityand Crisis, as well as in Alain Locke's The New Negro(1925) and Countee Cullen's Caroling Dusk (1927).Wealthy patrons helped him to publish his first volume of poetry-- The Weary Blues (1926) -- to go through college, andto support himself while writing. In the 1930s, Hughes becameincreasingly involved in radical politics and joined the AmericanCommunist Party because of its claim to represent all racesequally in its working-class solidarity. These connectionshaunted Hughes during Senator Joseph McCarthy's red scare of the1950s: Hughes was called to testify before the House Un-AmericanActivities Committee (HUAC) in 1953 and was considered a securityrisk by the FBI until 1959. During the 1950s he completed severalmemorable anthologies, including The First Book of Negros(1952), The First Book of Jazz (1955), and The Bookof Negro Folklore (1958).
(From Norton Websource to American Literature )

Biographical notes on Langston Hughes

Additional criticism and review of Langston Hughes's works can be found at your local public library.

"Poetic Interpretations of Urban Black Folk Culture: Langston Hughes and the 'Bebop' Era."
Critics: Walter C. Farrell, Jr. and Patricia A. Johnson.
, Vol. 8, No. 3, Fall, 1981, pp. 57-72.

"Hughes's poetic commentary on the unrest and anxiety of postwar Black America was presented in a collection published in 1951 entitled . In a prefatory note, Hughes explains that his poems were designed to reflect the mood and tempo of bebop "

Excerpts from reputable critical articles on Langston Hughes. Contents include brief discussions of The Negro Artist and the Racial Mountain (1926); The Negro Speaks of Rivers; The Weary Blues; Harlem; The Cat and the Saxophone; Negro; Justice; Mulatto; Lynching Song; The Bitter River; Ku Klux; Letter from Spain; About the Spanish Civil War; A Hughes Spanish Civil War Broadside; Hughes, Negroes in Spain (1937); Goodbye Christ; Christ in Alabama; Claude McKay's The Negro's Tragedy and Langston Hughes's Christ in Alabama; Let America Be America Again; Flight; Madam and the Phone Bill; About Come to the Waldorf-Astoria; White Shadows; A Right-Wing Anti-Hughes Flier; The Backlash Blues; Hughes in the 1930s; To Negro Writers (1935); Three Hughes Book-Jackets; Hughes Bibliography; Three Songs about Lynching; About Lynching; About the Great Depression. Cary Nelson, ed.

Langston Hughes Salvation Thesis Free Essays - …

Maryemma, Graham.  On the lasting influence of Langston Hughes in , an early publisher of his work.  Jan./Feb. 2002 [subscription service].

"Dead Rocks and Sleeping Men: Aurality in the Aesthetic of Langston Hughes."
Critic: Herman Beavers.
, Vol. 11, No. 1, 1992, pp. 1-5.

In his essay, "Beavers argues that Hughes's role was to amplify the voice of African Americans."

"Symbolizing America in Langston Hughes's 'Father and Son.'
Critic: Dolan Hubbard.
, Vol. 11, No.1, Spring, 1992, pp. 14-20.

In this essay, "Hubbard discusses Hughes's observations on the mulatto and the culture of race as depicted in the short story "Father and Son.'"

Nichols, Charles H., ed.  Teaching Langston Hughes, his themes, style, blues lyrics. From educational publisher .
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"Critical Analysis Of Salvation By Langston Hughes" …

bills itself as the world's largest online library and at this address has a number of books online that feature reviews or literary criticism of the works of Langston Hughes.

Critical Analysis Of Salvation By Langston Hughes

A selective list of online literary criticism for the twentieth-century African American poet Langston Hughes, favoring signed articles by recognized scholars and articles published in peer-reviewed sources

Langston Hughes: Poems Themes | GradeSaver

"I live in Harlem, New York City," poet Langston Hughes once wrote of himself. "I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges."

This was Langston Hughes—a writer of simple, elegant images; an observer of details; an artist who approached his work with warmth and humor. More than anything else, he celebrated the beauty of life as he saw it lived around him, particularly in the black American community to which he belonged and which he loved passionately. In a career cut short by his death from prostate cancer in 1967, Hughes wrote poetry, short stories, novels, plays, biographies, and memoirs that documented black American life. He was a key figure of the Harlem Renaissance, the 1920s-era flourishing of black arts and culture that took place in his New York City neighborhood. Before it was a slogan, Hughes knew that black was beautiful. And, in all his writing, he fearlessly advocated for those who other mainstream artists pushed to the sidelines.

Hughes has often been called the poet laureate of Harlem, the writer who, more than any other, captured the culture's moods and passions. But his poetry was never provincial. By , Hughes spoke of truths that applied to all humanity. His song was set to a Harlem jazz beat, but he sang for us all.

Langston Hughes Salvation Thesis Free Essays

"Mother to Son," one of LangstonHughes's earliest poems, takes the form of a dramatic monologue;that is, a poem spoken not in the poet's own voice but in that ofa particular imagined speaker, in this case a weary motheraddressing her son. The son, as we can surmise from the firstline, has either asked his mother a question or complained of hisfrustrations, to which his mother responds, "Well, son, I'lltell you." She proceeds to recount for her son thedifficulties of her own life, telling him "Life for me ain'tbeen no crystal stair," yet suggesting to him that thosedifficulties are, if not ultimately surmountable, at least worthstruggling against:

Langston Hughes - Theme Analysis - Research Paper

"Requiem for 'A Dream Deferred.'"
Critic: Richard K. Barksdale.
, American Library Association, 1977, pp. 99-131.

"Hughes's conforms in many respects to (a certain) concept of jazz poetry. Throughout the twelve sections of the volume there are elaborate notes calling for the reciprocal interplay of music and poetry. The dominant theme "

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