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John keats ode on a grecian urn essay
and Keats tries to free himself from the world ofchange by identifying with the nightingale, representing nature, or theurn, representing art. These odes, as well as and the ,"present the poet as dreamer; the question in these odes, as well as in and is how Keatscharacterizes the dream or vision. Is it a positive experience whichenriches the dreamer? or is it a negative experience which has thepotential to cut off the dreamer from the real world and destroy him?What happens to the dreamers who do not awaken from the dream or do notawaken soon enough?
The word 'empty' could also be seen as key to the poem, as it seems to describe Keats' feelings about the urn; despite its beauty, mystery and many stories, it is without life and therefore empty, and therefoe “for evermore will silent be”.
Where in Stanza 2, the urn was presented as being in an eternity of love and bliss, here it has changed to being eternally 'desolate'. This shows Keats' shifting feelings about the urn. It also represents the two paradoxical sides of the urn: in one way its immortality is a positive and joyful thing, but on the other, it is full of desolation, isolation and emptiness. This also has a more literal meaning, as the urn can be physically turned round by the observer, to see the various scenes.
Ode on a Grecian Urn - Wikipedia
“Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty, - that is all
Ye know on earth, and all ye need to know'.”
The literary critic JackStillinger describes the typical movement of the romantic ode: Thepoet, unhappy with the real world, escapes or attempts to escape intothe ideal. Disappointed in his mental flight, he returns to the realworld. Usually he returns because human beings cannot live in the idealor because he has not found what he was seeking. But the experiencechanges his understanding of his situation, of the world, etc.; hisviews/feelings at the end of the poem differ significantly from thosehe held at the beginning of the poem.
Ode on a Grecian Urn - John Keats Poetry - Keats' …
In the first stanza, the speaker stands before an ancient Grecian urn and addresses it. He is preoccupied with its depiction of pictures frozen in time. It is the "still unravish'd bride of quietness," the "foster-child of silence and slow time." He also describes the urn as a "historian" that can tell a story. He wonders about the figures on the side of the urn and asks what legend they depict and from where they come. He looks at a picture that seems to depict a group of men pursuing a group of women and wonders what their story could be: "What mad pursuit? What struggle to escape? / What pipes and timbrels? What wild ecstasy?"
No matter how you read the last two lines, do they really meananything? do they merely sound as if they mean something? or dothey speak to some deep part of us that apprehends or feels themeaning but it is an experience/meaning that can't be put intowords? Do they make a final statement on the relation of the idealto the actual? Is the urn rejected at the end? Is art--can art everbe--a substitute for real life?
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Ode on a Grecian Urn Poem by John Keats - Analysis
Aside from textualconsiderations, the final couplet is ambiguous and has resulted in anextensive critical controversy over its meaning. Jack Stillingercomments, "As to critical interpretation of who says what to whom, nosingle explanationcan satisfy the demands of text, grammar, consistency and commonsense." Some readers write off this couplet; T.S. Eliotcalls these lines a "serious blemish on a beautiful poem; and thereason must be either that I fail to understand it, or that it is astatement whichis untrue."
Poetry Analysis: "Ode On a Grecian Urn" Essay - 1145 …
In the final stanza, the speaker again addresses the urn itself, saying that it, like Eternity, "doth tease us out of thought." He thinks that when his generation is long dead, the urn will remain, telling future generations its enigmatic lesson: "Beauty is truth, truth beauty." The speaker says that that is the only thing the urn knows and the only thing it needs to know.
Free Essays; Poetry Analysis: "Ode On a Grecian Urn ..
"Ode on a Grecian Urn" follows the same ode-stanza structure as the "Ode on Melancholy," though it varies more the rhyme scheme of the last three lines of each stanza. Each of the five stanzas in "Grecian Urn" is ten lines long, metered in a relatively precise iambic pentameter, and divided into a two part rhyme scheme, the last three lines of which are variable. The first seven lines of each stanza follow an ABABCDE rhyme scheme, but the second occurrences of the CDE sounds do not follow the same order. In stanza one, lines seven through ten are rhymed DCE; in stanza two, CED; in stanzas three and four, CDE; and in stanza five, DCE, just as in stanza one. As in other odes (especially "Autumn" and "Melancholy"), the two-part rhyme scheme (the first part made of AB rhymes, the second of CDE rhymes) creates the sense of a two-part thematic structure as well. The first four lines of each stanza roughly define the subject of the stanza, and the last six roughly explicate or develop it. (As in other odes, this is only a general rule, true of some stanzas more than others; stanzas such as the fifth do not connect rhyme scheme and thematic structure closely at all.)
free essay on Ode On A Grecian Urn By John Keats
In this ode, Keats studies a marble Greek urn and contemplates the story, history and secrets that lie behind its carved pictures. Throughout the poem, he constantly juxtaposes the immortality of art with the mortality of man. His feelings seem confused, as he is torn between jealousy and bitterness that the urn will live forever and be remembered when he is long dead and forgotten, and pity for this inanimate object that has no experience of life, despite its endurance through the ages.
Grecian Urn Essays - StudentShare
If the "Ode to a Nightingale" portrays Keats's speaker's engagement with the fluid expressiveness of music, the "Ode on a Grecian Urn" portrays his attempt to engage with the static immobility of sculpture. The Grecian urn, passed down through countless centuries to the time of the speaker's viewing, exists outside of time in the human sense--it does not age, it does not die, and indeed it is alien to all such concepts. In the speaker's meditation, this creates an intriguing paradox for the human figures carved into the side of the urn: They are free from time, but they are simultaneously frozen in time. They do not have to confront aging and death (their love is "for ever young"), but neither can they have experience (the youth can never kiss the maiden; the figures in the procession can never return to their homes).
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